press

The Spring/Summer 2015 issue of Viper Magazine explores the conflict of being a feminist and a rap fan with Zoë and her artwork, Every Curve. The full article, “Aint No Fun” by Lauryn Tomlinson: This one goes out to the ladies, because we know you’ll relate… Once I was in a club debating whether to stay on

Zoë sat down with Jessica Ferri of The Aesthete to discuss her ongoing work, Every Curve. An online gallery, The Aesthete profiles New York City’s most promising creators and their work. Here’s a brief excerpt from the article “Every Curve Matters“: On a recent afternoon in New York, the artist Zoë Buckman was in her

W Magazine highlighted Zoë’s solo exhibition of Present Life in the February online edition of Eye Candy. Take a look at the slideshow at wmagazine.com

Artsy recently covered Zoe’s art, Present Life, in an Artsy Editorial that probes the contrasts of beauty through decay, birth, death and motherhood. Artsy’s M.A. Wholey reviewed Zoe’s work shown in its entirety at Garis & Hahn in New York from February 24 – March 28, 2015. Here’s a brief excerpt from Artsy’s, “Zoe Buckman’s

See why Blackbook says that stepping into Zoë Buckman’s East Village New York studio feels like “entering the mind of a manic pixie dream artist” in their article on Zoe’s contemporary art, Present Life. Here’s a brief excerpt from the article, “Zoë Buckman’s First Solo Show Keeps it Really Real”: Moments later, we were before

Zoe Buckman’s current work, Present Life, focuses on the variable nature of life through birth, motherhood and decay as displayed on various mediums. Whitewall’s Katy Donoghue caught up with Zoe to get the scoop on Present Life and the story behind the exhibit. Here’s a brief excerpt from Katy’s interview, “Zoë Buckman: Neon, Lace, and a