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WEHOville covered the unveiling of Zoe Buckman’s first public sculpture, CHAMP. The article discusses CHAMP’s place among West Hollywood’s history of gender-focused art, including Zoe Buckman’s inspiration and goals for the project. The article begins, “West Hollywood, a city known for its gay male culture (and the explicit sexuality that comes with it) clearly is

Galerie Magazine published an interview that delves into Zoe Buckman’s personal connection to her art. The interview touches on Zoe’s inspiration as well as her intentions in making feminist-charged art. An excerpt from the interview reads, “One of the things I’m really excited about is contributing to the discourse of the city. I think about

Mission Magazine covers Zoe Buckman’s work and inspiration from the Mostly It’s Just Uncomfortable series to her latest in Let Her Rave. The interview highlights Zoe’s personal transformation as an artist alongside developments in her work. An excerpt from the article reads, “One, Buckman is intent on using her experience as a woman in the world to serve as

Issue 47-48 of The Creative Quarterly showcases Zoe Buckman as the issue’s fine art feature. The article includes an interview and pieces from Zoe Buckman’s Let Her Rave, Every Curve, and Mostly It’s Just Uncomfortable series. Find the full issue here.

The New York Times covers Zoe Buckman’s first public art sculpture, “Champ.” The 43-foot rotating piece will debut on February 27th, 2018, on the Sunset Strip of Hollywood Boulevard in Los Angeles. The Times article hailed Buckman’s sculpture as “well-positioned to be adopted as the logo of the #MeToo movement” and a “declarative image of

Artnet News published an article on what they dubbed ‘The Weinstein Effect,’ detailing the effect of gender inequality and sexual harassment on the art featured at Art Basel Miami Beach in December 2017. The article focuses on the feminist energy present at Art Basel and a panel discussion in which Zoe Buckman participated. An excerpt