press

Zoë Buckman would like to talk about sex. Specifically, she would like to talk about everything to do with women and sex, from pure pleasure to systemized violence. And she wants to do it in three shades of pink. Read the full article here.

2018: The year that the words “rape,” “assault” and “harass” became inescapable, appearing seemingly everywhere online and in news media across the United States. The year some heads rolled, and lives were ruined, and the year many tales were forgotten too quickly or discredited in too brutal a manor. The year of too much jumping

New York Magazine’s The Cut invited painters, photographers, and sculptors to frame and interpret the upcoming season’s fashion items. Buckman photographed a white and pink Prada boot amidst a sea of adorned boxing gloves from her series Let Her Rave. Read the full article here.

Whitewall Magazine featured Zoe Buckman in their Summer 2018 Issue. The article, titled “How Zoe Buckman is Making Women’s Issues Society’s Issues,” touches on how Buckman makes her work accessible to multiple realms of society, and in some cases, unabashedly public. Read the full article here.  

The New York Times featured Zoe Buckman’s work created for a campaign by For Freedoms. The campaign aims to inspire political participation through art. Learn more about the campaign and read the full article here.

LALA Magazine, dedicated to the creators driving LA’s cultural development, featured Zoe Buckman in their Spring 2018 issue. The feature covered Buckman’s public sculpture, Champ, and her solo show at Gavlak Gallery, titled Let Her Rave. The magazine focuses on the significance of Buckman’s art in the context of art history, as well as the timeliness