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In Sarah Cascone’s article for artnet News, she states that Zoë Buckman’s “latest exhibition considers domesticity, women’s work, and the death of her mother.” Read the full article here.

I once bled on the sheets of a man I hardly knew. Because he was put out, and I was ashamed — and for spite — I ordered a set of replacement sheets that cost half my monthly rent and had it delivered to his home. Read the full article here.

In her current show at Fort Gansevoort, the artist explores grief through her work, giving a nod to feminist forebears in the process. Read the full article here.

  The artist Zoë Buckman’s loft-cum-studio in Dumbo delivers a sensory overload of paintings, photography and sketches from around the world. Yet Ms. Buckman, born in London, has never thought of herself as a collector. “I’m someone who lives with the work of artists I’ve been lucky enough to know or trade with,” she said

Hand-embroidered tea towels extolling hearth and home often conjure realms of domestic bliss. In Zoë Buckman’s work, however, objects such as these carry weighted meaning, frequently revealing domestic violence. At this year’s Dallas Art Fair, Albertz Benda gallery will present Buckman’s provocative work, which continues its exploration of traditional gender roles within the domestic sphere.