Steph Rodney of Hyperallergic critically covers Imprison Her Soft Hand at Project for Empty Space, Zoë Buckman’s third solo exhibition including works from four series.
Here’s a brief excerpt from the article Feminist Sculptures That Don’t Pull Punches:
With her exhibition at Project for Empty Space, Imprison Her Soft Hand, whose title quotes Keats’s poem, she takes issue with that commanding voice, teasing out how patriarchal authority insidiously permeates our ideas of femininity and the ways we practically deal with women’s bodies…Buckman’s work intimates the ways in which bodies become subject to dictatorial direction in our social practices.“
Read the article in its entirety here.
